Audio, Resistance and Caring

It’s not cool to care. Generally, those who care deeply about something are a pain in the butt for those who would rather brush over the details and move along to the next thing with as little fuss as possible.

If you are happy to take the music that is fed to you, that’s fine. Spotify has you covered. You will likely never annoy anyone with your opinions, the cost of your listening equipment, or the attention you give to the sound in your ears.

However, if you care about what you hear – if you appreciate the art involved in making a song, if you are curious about where a piece of music comes from or what is available that is not on the charts or in the format everyone is used to – get ready to meet some resistance.

Audio Responsibility

Who is responsible for the music you listen to? And the interviews you hear? Who decides when your voice gets recorded or not?

In a post industrial world, we have more choice than ever as to how and when we consume things. Take your music streaming service of choice – it likely has ~50m songs to choose from at the tap of a button. This can be overwhelming, which explains the success of Spotify and its algorithms. These ‘tailored playlists’ take the responsibility away from you and the music you hear.

The idea of audio responsibility then, asks us to behave in a more engaged way around music and anything else we feed our ears.

A couple of tips to get started on the road to audio responsibility:

  1. Read about it before you listen to it. This forces you to be an active participant and it makes the experience so much more satisfying. Check out this book to get started: Link
  2. The equipment you use makes a difference. Headphones, amplifiers and speakers are the best places to start investing (responsibly) in your audio experience.
  3. Nobody knows what you want to hear better than you. Not even Spotify.

Here’s to taking responsibility. 🙂

Recording yourself

Do you like the sound of your own voice? The first time I heard my own voice must have been on an old phone message machine we had growing up. It held messages on tiny cassettes which it could play back to you.

Having a very creative best friend, we then started messing around with dictaphones and video cameras. When I got into music and sang in a band, we’d record on anything just to hear ourselves play.

And then came smartphones. Nowadays people are trying to get away from being recorded so often. Google Apple or Facebook hears everything we say. There are full fledged studio apps available at the push of a button/ swipe of a screen.

I seem to hear my own voice a lot these days. Whether it is sending voice notes, or creating podcasts. Hearing yourself forces reflection on what it is you’re saying and how you’re saying it. If you’re unfamiliar with it, it’s worth a try.

Hifi as a Sanctuary

Life is not easy. To paint a bit of a bleak picture – even if you have all the money in the world, friends, family and health – the slow ticking of time in the background tells you It’s a losing battle. None of us will get out of here alive.

So what to do? Well among countless other mindfulness and health exercises, we should engage in activities which take time out of the equation. I mean those activities that engage us so fully, we can’t hear the ticking and the tocking. Time seems to stand still.

This is a sanctuary of sorts. This is music, audio and hifi for me.

Hifi and science

On an anecdotal level, hifi music often overwhelms everything else I am doing. When I hear a song that I like, on equipment that i like, nothing else really matters. I am happy and absorbed, and ensconced in the sound.

On an evolutionary level, why do we humans enjoy music? Why do we dance? What is it about certain sounds that makes me feel like i do? What is the evolutionary function of music? Are these feelings and effects all just neural impulses? If so, to what end?

Luckily I am not the first person to think about these things. I have just come across a book that I hope will help me answer some of these questions, or at least explore some of these ideas.

Hifi and WW2

Cognitive dissonance is tricky to deal with.

In Germany after the war, Allied forces found a new recording technology – magnetic tape. This provided a huge leap in audio fidelity ahead of disc recordings and rapidly became the dominant mastering medium for sound. The Nazi’s had used it for a while already for broadcasting. It later enabled multi-track recording and led to the first hifi systems being created.

Fast forward 74 years and here we are, the audio equivalent of the autobahn. A Nazi legacy item that audiophiles and musicians couldn’t really do without. Magnetic tape enables those timbres, tones and spacious melodies.

Of course it would have been infinitely better without the war, and with Nazis never having existed.

But here we are.

Hook line and sinker

I have this old stereo amplifier. I bought it from a slick salesman. He linked the amp up to some INCREDIBLE speakers in his made-for-purpose listening room. I was blown away and handed over too much cash. I’ve been trying to patch together that same sound ever since.

The thing is, I WANTED this to happen. I wanted to hear the perfect set up, I wanted to hand over my money and yes deep down I even wanted the frustration afterwards of not quite getting the salesman’s sound.

We humans are strange animals. A quest is often more fulfilling than a destination. But demonstrating a destination is a powerful sales technique.

Hook line and sinker.

Roon + Tidal

I have recently signed up to both Roon and Tidal. So many websites and commentators are raving about it.

Linking your Tidal account to Roon gives you endless volumes of high fidelity music and MQA format recordings in a beautiful package.

It is convenient, sounds great, and the Roon software is staggering – it needs to be experienced to be understood but to me one of the key things that Roon does well is give you suggestions and notes to read while you listen to a track – this combination is key. The reading element brings back the old LP / CD cover notes vibe to streaming music. A wonderful thing and I am sold.

Now to optimise the Roon Core / DAC / MQA combinations! Can’t wait.

Affirmations

This week I have had two very conflicting experiences on the net. One was a Twitter exchange which devolved rapidly into aggressive one-upmanship. That wasn’t fun and so I am off Twitter (again!) – I just don’t have the time to get good at Twitter.

Another was an invitation by a reader of my blog to answer some questions on music and audio. It was really enjoyable and I see it as a privilege to be asked to write about something I love so much. Rafael’s blog can be found here. I presume my questions and answers will show up soon enough.

On a more personal level, it is really satisfying to get an ad hoc request for writing about audio. That is exactly the sort of thing I want to do more of. So, two affirmations – one with regards to my poor Twitter skills. One encouraging my writing and my love of audio.

On reflection, this has been an excellent and productive week so far 🙂