De La ChimpWithCans

To those of you who don’t know, I’m a chimp who likes to listen to music while I write. The Bantam civilisation implanted a chip into my brain when they invaded Old Earth. The chip allows us animals to understand human language. While I still can’t talk with the humans (as some of the other animals are able to do) I can understand what they say. This means I have to listen to people as they quibble and argue all over the place. It also means that a huge back catalogue of human music is now accessible to me. A regular old chimp with modifications, I am now a blogger and a music junkie.

On the cans this morning is the De La Soul album from 2016. This is a wonderful sound. Beats to jump up and down to, guest appearances all over the place to make me screech and grin my wide chimpanzee grin. I love a good album and the fact that this was funded in part by a Kickstarter campaign makes it even more satisfying for some reason.

Variety of voices from Usher to David Byrne keeps this album interesting. Lyrics and rhymes mixed with audio scenery give it depth.

A most pleasant listening experience for this chimp. Now it’s time for me to find some bananas for breakfast.

 

 

Digital Art

Computers are everywhere. The net is everywhere. Software is eating the world.

This has forced us as a species to ask important questions about how we best exist in a digital/analogue hybrid world. No facet of humanity has been more disrupted or scrutinised by the web than our art. Some questions:

How do we control rights and rewards for the art we make online? Metallica has something to say about this, so does Stephen King

How high does the digital resolution of a picture, a film or a song have to be to accurately reflect the intentions of the artist?

Interestingly, writing as an art form is relatively unaffected by issues of resolution. Words can be understood just as well on low resolution screens, and the quality of the writing is largely subjective. It’s hard to measure objectively the purity of a piece of writing, whereas a picture on a screen, or a sound wave in your ears has a bunch of physics and metrics behind it which is now fed into the marketing of art (see here and here) and of equipment to consume the art (see here and here).

I don’t think these questions over digital art will be answered anytime soon, but I think they need to be at the front of your head if you are publishing online.